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Twenty-eight years ago me and my horrible hair graduated @sunyplattsburgh, thanks to the mentorship of Professor David Mowry. We lost him yesterday. Read my very emotional tribute to him at #philosophy #collegife Hi listeners! Do you want to see our host Jack Russell Weinstein (@diasporajack) in person as he deejays fun and exciting music? Come down to @ojatadogmahal records this Saturday for the fourth installment of Ska and Waffles! Rehearsing for Tuesday night! Want to hear #Klezmer music live? Come to Why? Radio’s 10th anniversary party, Tuesday at 6:30. Details at @prairiepublic @diasporajack @empireartscenter Above two folds! Thanks @gfherald @prairiepublic ❓📩❓📩❓📩❓📩❓📩
#philosophy #ask #morals #advice #questions #help #curious #hardquestions #anything #podcast #discussion #currentevents #philosophyiseverywhere #whynot #politics #ethics #art #metaphysical #religion  #myund #questionoftheday WHY? Philosophical Discussions About Everyday Life, the Prairie Public radio show is celebrating its 10th birthday and we’re all invited to think philosophically about music with them!

Join the party for food, an interview with legendary Jazz flutist Mark Weinstein, and live Klezmer music! All for free!

For more information, visit or go to
Award winning Jazz Flutist Mark Weinstein plays World Jazz and Straight-Ahead with world-class musicians rooted in the music of Cuba, Brazil, Africa, Argentina and his Jewish heritage. A Latin Jazz innovator, Mark was among the first jazz musicians to record with traditional Cuban rhythm sections in an epic album, Cuban Roots, released in 1967 with Chick Corea on piano. He also has a Ph.D. in philosophy and is a professor of Education at Montclair State University, in New Jersey. His music is the soundtrack to Why? Radio. You can learn more about him at 
Stay after the recording for a live concert, as Mark joins the Balkansi Klezmer Band for a jazz-infused exploration of the classic Jewish folk music, Klezmer. Balkansi is an ensemble based in Grand Forks that specializes in traditional music from one of the richest and most diverse musical regions in the world. The members of the band include Tamara Auer on violin, Haley Ellis on clarinet, Edward Morris on guitar, Zephaniah Pearlstein on cello, Michael Ferrick on bass, Rachel Agan Muniz on percussion.

And then stay even longer for an informal Q&A with Why? Radio host, Jack Russell Weinstein. 🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼🎼
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What is Philosophy?


This is the monologue for the most recent episode of Why? Radio: “Thinking Philosophically About the Black Church” with guest J. Kameron Carter. Click here to listen to the episode.


I am so glad December is over; I hate the holiday season. I grow weary of the alienation my Jewish family feels whenever we leave our house and I’m horrified at the stressful consumer orgy forced upon my friends. I am also really tired of reminding others that even for an atheist, Christmas is a Christian holiday.

Yes, the commemoration of the birth of Christ is and must be Christian, even for those who don’t talk about Jesus. And yes, the celebration of the second coming excludes those who are still waiting for their own messiah, even if they enjoy a cup of eggnog or display their friends’ Christmas cards on the mantle while they wait.

We can pretend Christmas is secular because we are so used to the Christian way of thinking, that we have a hard time imagining life can be otherwise. We like our Sunday day of rest and we prefer to bow our heads to pray. We celebrate conversion and regard faith as a good in itself. Even our fiction is Christological—narratives that parallel the story of Christ. So, we continually expect our heroes to die for redemption. From Gatsby to Merle in The Walking Dead, we see death as cleansing. Even Harry Potter had to die, and the chapter in which he is resurrected…it’s called “King’s Cross.” Ultimately, our most creative endeavors are largely variations on a common theme.

It can be hard to accept that our imaginations are limited by culture. We want to think that we can envision anything we want, but we can’t. Novelty takes tremendous effort to conjure. This is why cubism could only be invented after two-point perspective; creativity is incremental. The things that we think about, the aspirations that we pursue, the fears that make us shudder, they are all informed by our culture, and Western culture, for better or worse, is defined by the Christian imagination.

It is a wonderful thing to be raised in a worldview built on personal improvement. No matter how far we fall, the Christian imagination tells us that we can be redeemed. No matter how much we hate, we are assured that forgiveness is liberating. But the Christian imagination also traps many of us into brutal self-hatred. Malcolm X learns this when he discovers his own unconscious adoption of blackness as a symbol of evil and whiteness as a sign of purity—beliefs he tries to overcome by converting to Islam.

Malcolm X epitomizes a trap faced by many African-Americans. The Christian imagination regards slavery as historically normal and economic circumstance as punishment for sins. But it also celebrates the meek and glorifies the peacemaker. So it leaves no outlet for those in terrible situations whose only hope is to fight their way through it. Their status quo is unacceptable but their demand for change is condemned. They are, literally, damned if they do and damned if they don’t.

It is impossible to wipe away the effect that Christianity has on our culture and, of course, many people don’t want to, so the only way out of this trap is through the Christian imagination itself; this is what we will talk about on today’s episode. In particular, we will take a philosophical look at the Black Church. Why? Because our guest today argues that the very idea of Blackness and Whiteness are Christian inventions. If he is right, it just underscores how basic to our everyday experience the religious imagination is. Sure, some people claim that they “don’t see color,” but they do. We all see skin tone and there is nothing wrong with doing so. Meaning, not fact, is the purview of the religious imagination. It is the meaning we impose on the different shades that are problematic, not the fact of color itself.

Before we begin, I ask that we all accept two basic facts that I have been trying to articulate. First, the religious imagination is profoundly powerful, even to those who don’t assent to the religious tenets it assumes. Second, it can be analyzed, altered, and widened, but only from within, only by utilizing the Christian tradition that holds it together.

I suspect that no one is better poised to enlarge the Christian Imagination than the Black Church. Its members are both insider and outsider; they are revolutionaries and witnesses to the original sin of the colonial eclipse of non-Christian religions. But imaginative change cannot be forced any more than faith can be compelled. It is the product of longstanding practices, complex texts, and sophisticated theologies. The Christian imagination is the result of two millennia of religious belief and fundamental to how we want to the world to be. It is a cycle; it begins and ends at the same place. The Black Church appears to be telling us that that place is not good enough.

Follow the author on Twitter: @jackrweinstein.
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2 comments on “Can we escape the Christian imagination?

  1. Bill Caraher says:

    As a small gloss – but perhaps a relevant one – when non-Christians say they regard Christmas as a secular holiday, you can (as you know) point out that the very concept of the secular is a Christian one. Secularity is no escape from Christianity and this is why scholars of the early church regularly recognize it as a totalizing discourse. Even when you drop out, you're still in.

  2. A very nice point, Bill. Thank you! Part of the evangelical nature of Christianity is it's tenacious presence on our lives. That is worth thinking more about.

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