Molli Bernstein died of a drug overdose this weekend; I didn’t really know her. She was one of the hundreds of Facebook friends I have acquired because of my radio show and blog. I was first connected to her via a mutual acquaintance—a young photographer—when they both started complaining about Facebook censoring their pictures.
Molli was a fashion model and she had posed for some test nudes, helping an inexperienced photographer-friend as they both learned their trade. She posted them on a blog, shared them on Facebook, someone complained about the nudity, Facebook took the link down, and eventually, I wrote a post exploring the tension between the idea of “art” and the pragmatic practice of labelling images Not Safe for Work. It was a totally unnecessary chain of events.
There was nothing I could do to help her, of course. I had no real relationship with her, and short of the butterfly effect, my intervention would have had no consequences. She had family where she lived—a whole community who knew what she was going through—and if those who were important to her couldn’t do anything, what could I do?
This is the nature of relationships in the Facebook age: friends without contact, intimate glimpses of people’s lives without true interactions, balancing what it means for someone to be a real person but only actually knowing her as an object on your screen.
Two of my dearest friends died in the last six months, Julius died of a heart attack a little more than a week ago and Brooke died from cancer in June. We were all so far away from each other that all of our interactions were also on Facebook. Since I often thought of visiting them as well and couldn’t, since I didn’t even have the time to get to Julius and Brooke, how would I have had time for Molli?
The thing that I learned from Molli above and beyond everything else is that modelling is a creative activity. We are encouraged to think of models as blank canvasses for photographers to pose, for designers to dress, and for make-up artists to alter. But Molli was quite explicit about how she expressed herself through her modeling, how she communicated her own look through the shoots, and how working satisfied her creative needs. Molli articulated well how models are not passive but integral to art and was the first to make me really understand why some models are good and some are bad, independent of whether or not they are “pretty.” I am including much more photography on this blog entry than I usual do because only then can you really see her the way I think she wanted herself to be seen. Undamaged. Theatrical. Brave. A force to be reckoned with.
Did I have a responsibility to try to help either of them even if I couldn’t? I guess I tried a little by asking how she was and having a few brief encouraging chats with her, but I don’t know if I was morally obligated to do so. Her death doesn’t make me feel guilty; it just makes me really really sad.
Others will mourn Molly with a y. I know all too well the pain of loss by addiction, a pain that never goes away. I lost many dear friends to its darkness. So, to those who survive her, my heart goes out to all of you. I am truly sorry your loss.
But I am who I am and our relationship was what it was, and I only knew the tiniest speck of her existence. So, with all of that said, and for the sake of symmetry, I shall end my friendship with Molli the same way I started it, by writing about her.
Molli Bernstein died this weekend. I just wanted you all to know.
See more of Molli’s work on Facebook at Sea Star Modeling.
Dr. Jack Russell Weinstein is Chester Fritz Distinguished Professor of Philosophy and Director of the Institute for Philosophy at Public Life at the University of North Dakota. He is the author of four books and the host of two public radio shows, Why? Philosophical Discussions of Everyday Life and Philosophical Currents.
Follow Dr. Weinstein on X, Threads, and Bluesky.

